Contributed by Breonie Baylov
Contributed by Tristan Uhl Photos by Dean Zulich Modeled by Andrew Springer
I’m of the opinion that everything in fashion is essentially a form of self-expression and gives us a read into our overall values. Fashion allows us to assert a self that tells a story by bridging the gap between where we have been, who we are and where we are going. Garments are the individual elements of design within a fashion period and are a tangible part of the human identity, thus, mirroring the individual's sense of relevance while living a collective experience in a material reality.
Contributed by Breonie Baylov and Tristan Uhl
One year ago this past Thursday night, I was nervously navigating my way through the crowd at the DList Two Year Anniversary Party. I was taking pictures and searching out cool looking people for a write-up on the event. The editor of Subterfuge—knowing that my clubbing experience could be summed up in one unfortunate visit to a college bar in Spokane—had her good friend Sheldon Roseveare meet me there.
Contributed by Breonie Baylov
So much has happened in the past couple months, it seems impossible to recap it all. Fabulous parties and events, exciting projects and good times with the Subterfuge Set…but the highlights for me were a beautiful luncheon, a lovely birthday surprise and most recently, a fashion show featuring our very own Tristan Uhl.
Contributed by T.s. Flock, Photography by Kam Martin of needle+thread
Last week, the delightful and deceptively deep Coppélia opened at Pacific Northwest Ballet as a co-production with the San Francisco Ballet. The original ballet premiered over a century ago in 1870, but contemporary productions use choreography by George Balanchine and Alexandra Danilova for a 1974 staging. For this production, PNB commissioned Roberta Guidi di Bagno to create all new sets and costumes, which brought new life to this classic story—the original Guys and Dolls.
Contributed by Tristan Uhl
Contributed by Sarah Elizabeth Caples